Channel 4 has announced a few weeks ago that they won’t be renewing the utterly hilarious Raised by Wolves and I am mad as hell.
Fortunately, it’s not just me who is mad as hell – the show has a beloved following – and Caitlin Moran (the show’s writer and creator) has already drummed up a lot of noise online to try and save it. Raised by Wolves is Caitlin Moran’s , along with her sister Caroline Moran, TV comedy of their childhood lives. More specifically, their teenage years living in a run down in house in Wolverhampton, being home schooled by their mother. Both Caroline and Caitlin have admitted that aspects of their lives have been embellished (as is the nature of television) but if you’ve read Caitlin’s ‘How to Be a Woman’ or ‘How to Raise a Girl’, you’ll know that despite the differences, a lot of Raised by Wolves is true in essence to Caitlin’s memoirs. The biggest alteration is the present day setting (Caroline and Caitlin grew up in the 1970s), but it’s hard to imagine bringing in audiences if Raised by Wolves hadn’t been modernised slightly.
Caitlin and Caroline also adopt different names for their onscreen characters – Caitlin’s likeness is Germaine (played by the incredible Helen Monks) and Caroline’s is Aretha (the equally incredible Alexa Davies). In the fictional world of Raised by Wolves, matriarch of the family,Della (Rebekah Staton), has named all of her daughters after influential women. We have Germaine, Aretha, Yoko, Mariah and baby Cher. Della is a hard working, DIY, do-not-cross-me mum who single handedly does absolutely everything for her six children (she also has a son named Wyatt). She’s a beer drinking, cigarette smoking whirlwind who has complete and utter control over her kingdom. In short, she is almost definitely the best mother I have ever seen on a television show. We’ll delve into just why a bit later on. Also in the Garry household, on most occasions, is Grampy – unsurprisingly, the kid’s grandfather.
Raised by Wolves is a perfect mix of feminist rhetoric, conversations about masturbation and sibling wonderfulness that we so desperately need in the UK comedy scene. It’s a complete travesty that it has been cancelled, but it isn’t that hard to see why. It’s about powerful young women striking out in the world, taking control of their situations and expressing their deepest desires outwardly. Well, for Germaine anyway. If this is the last hurrah, let us delve into the things we love best about those Garrys. #upthewolves
Though our Germaine is named after a Germaine who was very prominent in second wave feminism, her values and ideas about femininity and sex are very, very different. In fact, it’s probably better that we don’t talk too much about the car crash that is Germaine Greer, and focus more on the wonderful young woman whom Germaine. She’s confident, sexual, curious and maybe a tiny bit batshit crazy, but she always has her heart in the right place. The greatest thing about Germaine is that she knows she is something special, and doesn’t let anyone forget it.
To see such confidence in a young teenager is comic, yes, and also slightly unnerving. We are so used to seeing teenage girls upset and horrified by their bodies and sexuality, but our Germaine bucks this trend with style. Self confident, sexual and ready for some action of the male variety – Germaine doesn’t care what anyone else thinks of her. It’s super refreshing.
In ‘The Dorchester’, we get to witness Germaine’s first throes of passion – making out with any boy available in the nightclub. Germaine’s realisation that she has something they want, and she can get what she wants by giving it to them (kissing) leads her to snog her way around the club, pretty much. In a subversion of the very typical image of a horny teenage boy working his way round all of the girls – it is Germaine who uses the boys to satisfy her newly discovered sexual desires.
It is unsurprising that Germaine has such a sex positive attitude when she has Della as her mother. Della, whilst balancing both the roles of mother, father, DIY maestro, life-coach and teacher to all of her children, also has a very healthy and liberating sex life. In season 1, Della meets and dates a breakdown vehicle driver, and she isn’t afraid to tell him what she really wants. Layered in innuendo, the two of them eat scotch eggs in Tesco car park and spin doughnuts in the middle of the street. Della knows what she wants and isn’t at all afraid to get it. Despite their extreme difference, you can see where Germaine gets it from.
Working Class Women
Where are the working class women on British TV? I’ve tried looking, but there’s a distinct lack nowadays. We had Shameless, and we had the Royale Family, and Raised by Wolves filled the gap in the market for a short time (at least for being as wonderfully rude as the other two contenders). One of the saddest things about the cancellation of Raised by Wolves is the loss of a television show which is made by and is about working class women. Not just that, but regional working class women. The Garry’s are proud of their midlands identity (“we’re not southern twats, we’re not northern twats, we’re midlands twats”), and there is very little else on British television that even comes close.
Another wonderful moment from ‘The Dorch’ will, if you’ve ever been a teenage girl, l have you in stitches about your first time underage clubbing. If you haven’t been an underage teenage girl, you’ll still probably laugh a lot, so it is totally worth watching. To get ready for their Big Night Out, Germaine decides to hack away at Yoko’s full length skirt, turning into a new and improved (and very short) miniskirt. Germaine tells Yoko to embrace her legs – because it turns out she does have incredible pins. The three girls enter the club, Yoko with her legs out, Germaine in her faux Victorian lace garb and Aretha in her oversized jumper and they have the time of their lives.
Though the three Garry girls are of very different sizes, and have very different interests and ideas about fashion – there is an overwhelmingly positive message about body image in Raised by Wolves. Germaine, not what we would typically view as ‘model material’ (thanks internalised misogyny) is an uber confident teenager – a rarity on television.
As confident as Germaine is, Aretha is quite the opposite. However, her own sense of style and her reservations about her own body (“I haven’t even seen myself naked”) are respected. There is an understanding that, although Aretha may not be entirely comfortable in her own skin, this is perfectly normal and many teenagers go through it.
The rituals of growing up female
The entire show is rooted in feminine milestones. Yoko’s first period, a first bra fitting, first kisses and first crushes. Events that are (in society’s patriarchal brain) life changing and life defining for women. I mean, everyone knows that your first time changes you forever, right? (wrong. So wrong, incase anyone didn’t get the sarcasm).
Raised by Wolves takes these seemingly important milestones and makes them seem not quite as traumatic. The trauma comes from having Germaine as your sister (if you are Aretha) or your mum making you go out and forage for food. Or, god forbid, having to work in the pound shop to earn your keep. It’s true that Yoko starting her periods is terrifying for her, and not everything goes to plan, but ultimately the realisation is that every woman goes through this. That it is going to be okay and there’s nothing to be worried about. As Germaine says about tampons, ‘I just put it in my lady mouse hole’.
There’s also the exploration of first loves and first heartbreaks. In the final episode of the second season (and potentially ever, sob), both Aretha and Germaine are dealing with their first heartbreaks… in two very different ways. Though the two sisters are unlike in many, many ways, they reconcile at the end of the episode and help each other get through the pain of being dumped, and that of unrequited love. It’s touching and sweet, and just another reason why this show is just so damn good.
The cancellation of Raised by Wolves is a fucking tragedy. It’s funny, feminist and unique in every way. Still, Caitlyn Moran has launched a facebook page to save the show, so if you are still grieving like me – so go on, join the rebel alliance, bab.
Also – both seasons are still available to view on 4OD at the moment…