I’ve tried to put a funny spin on this because at this point if we don’t laugh, we are going to continually cry.
This could have been a list of informative and useless films to help us combat life under white supremacy. It isn’t. Instead, this is a list of films that I think accurately predict the dystopia we are now on the verge of living in. It’s not heart warming, and it won’t make you feel better about what is happening and for that, I am truly sorry. Try watching Mamma Mia if you want to feel happy for an hour and a half (though we all know Meryl Streep is totally overrated, right Donald?). If you want to wallow in the misery of the next four years and beyond – then come with me on a journey of apocalyptic doom and watch the following.
Mad Max: Fury Road
Fury Road makes the list for a number of reasons, not least because Donald Trump and Immortan Joe share the same hairdresser. Both of their ruling ideologies are rooted quite firmly in toxic masculinity and are clearly destructive to all who live under them. Immorten Joe thrives off his power over the water supply, and the crowds who gather beneath him when he finally lets them have a drink. Bet those crowds aren’t as big as Trump’s inauguration though…
It’s Immortan Joe’s treatment of women that is suspiciously similar to Trump’s opinions too. They are commodities, there to be objectified, sexualised or pumped for breast milk. Trump also treats women like commodities – I am sure we are all very familiar with the grabbing quote by now. It just shows how much he dehumanises women and feels we only exist to be fodder for powerful men like him. WE ARE NOT THINGS.
Also, as we have seen with the Trump’s persistence regarding going ahead with the Dakota Access Pipeline, Trump really fucking loves oil. Like Joe, he’ll do pretty much anything (including sacrificing human life) to get at it. In Fury Road, Australia has been turned into a dystopian wasteland because of the pollution and carnage to the planet. America will surely follow suit under Immorten Trump’s leadership.
Children of Men
I don’t think that Brexit or Trump have set off a chain reaction of infertility across the world – though there’s definitely a joke in there somewhere. Children of Men though, paints a fantastic portrait of what happens when the government decides to close of its borders and treat refugees and immigrants as if they are subhuman.
We have seen the beginnings of this. During the Brexit campaign, Nigel Farage once stood in front of a billboard depicting displaced young men coming from war torn countries having experienced horrifying events, the likes of which most of us could never imagine. The caption? ‘Breaking Point’. No, he didn’t mean breaking point for the thousands of people dying in Syria – he meant it was breaking point for the UK. This is a small snippet, a tiny glimpse into how the leave campaign used immigration as their main talking point, encouraging xenophobia and Islamophobia in the process.
This is what happens in Children of Men. A whole country turns a blind eye to the mistreatment, executions and torture of refugees at the hands of the government. The last scene, as Kee and Theo arrive at Bexhill-on-Sea, we see how those in the camp are treated. It’s stomach churning. The scariest part is that we aren’t worlds away from this now – detention centres like Yarls Wood are notorious for their lack of abuse and dehumanisation of its residents. With Brexit pushing racial hate crimes up by over 41%, attitudes in the UK are shifting very dangerously towards Children of Men’s depiction of humanity.
Most recently, with Trump’s ‘not-a-Muslim-ban’, we are closer to a Children of Men attitude towards refugees than ever before. Fortunately, the executive order has been halted for now, but it hasn’t done anything to relieve stigmas towards immigration and refugees.
Look Who’s Back
This indie film has made a few waves, and not only because it features Hitler time travelling to 2014 and instigating the reprisal of fascism in Germany. The strength of Look Who’s Back lies in it’s ability to make you laugh along with Hitler (yes, a phrase I never thought I would say) and then pull the rug very firmly out from underneath you when the realisation hits. You, like the characters in the film, have been normalising Hitler the whole time by laughing along.
This is something that can seen across the UK and America. Instead of treating Neo-Nazi’s as the scum they are, during Brexit the BBC actually interviewed one of them on the 6 o’clock news – essentially giving the swastika-tattooed young man a platform to air his bigotry. Likewise, Jimmy Fallon invited Donald Trump onto his show and, instead of showing Trump for the bigot he is, Jimmy Fallon ruffled his hair and sent him on his way. Nigel Farage has spent the last year posing for photo ops in local pubs. Nazi’s, in the Western world, are now called the ‘Alt Right’ – as if they are just a different version of the right wing, not bigoted maniacs. There was even an outcry when self-confessed Nazi Richard Spencer was punched live on air. I’d recommend watching the remixes here – very satisfying stuff.
In Look Who’s Back, we watch in shock and horror as Germans around the country salute to Hitler, take selfies with him and agree with him on foreign policy. The hard-right is alive and well in Europe, and one of the reasons why Brexit ended up quite how it did. The thing is, the first half of Look Who’s Back posits itself as a comedy. We laugh at Hitler (what’s he like!), until he decides that actually, someone needs to really take back control of the country. We all laughed at the idea of Trump becoming President, but this is where we are now. Too late.
There’s two very important reasons for including Dr Strangelove. Firstly, the image of twenty or so white men sitting round a table, very incompetently discussing nuclear warfare is something I think we will be very familiar with in the Trump administration. Sure, they’ve already had a room of white men discussing abortion, and (I quote twitter) there are more black people in Beyonce right now than there are in his whole administration. I can just see Mr Trump on the phone to Putin, apologising for the small misunderstanding regarding the nuclear warhead that is now heading directly towards them. Then, boom. We’re all dead.
Secondly, Dr Strangelove depicts the American military as people who will go along with orders without questions, regardless of the possible consequences. I don’t imagine this will change much with Trump in charge. Though we have seen certain members of the judiciary system speaking out against his executive orders, we have yet to hear anything from the military. We all know that the US Army and patriotism go hand in hand, and judging by Trump’s inauguration speech – that isn’t going to change much.
Last but not least, we come to the environment. There’s no doubt in any of our minds that global warming is going to get a whole lot worse (hotter) because Trump believes it’s a conspiracy from China, and without EU regulation, the UK doesn’t have to adhere to climate change reform. So we should all be buying factor 50 as soon as possible.
Snowpiercer actually depicts a world which has tried to combat global warming, but has failed with disastrous consequences. Having left it too late to reverse the effects naturally, scientists attempt to cool the earth down but the effect is to plunge the plant into an Ice Age, the only surviving inhabitants circumventing the globe on a never-stopping train. Of course, Snowpiercer also depicts a world where the poor are shunned, exploited and made to live in horrendous circumstances for the benefit of the rich – which doesn’t sound too dissimilar from our current situation where 62 people have the equivalent wealth of the rest of the world put together.
It is the harsh realities of making the planet uninhabitable though which makes Snowpiercer a film to add to this list. The frozen tundra rolls by the windows of train, reminding all the passengers that they are stuck in their locomotive world due to their own incompetence. The inability to save the planet. I don’t believe that we will end up on a train, circling the Earth. It might be a lot worse. Especially considering that London went over it’s yearly air pollution “allowance’ for the year, within the first five days of 2017. This is in addition the fact that Trump thinks that global warming is a Chinese conspiracy…
The one silver lining we can possibly take from this list is that there is always a glimmer of hope for the protagonists. Also, the protagonists are (quite firmly) not racists, misogynists or Nazis. In fact, it’s the antagonists that encompass these charming values. And what do we know about films? They are always right, right?