elsewhere

Film Inquiry

Unofficial Guide to the 59th BFI London Film Festival
The Beginners Guide to Spike Jonze
A Syrian Love Story: The Human Face of a Global Crisis
Suffragette: Review
The Future of Womankind: Beyond Ellen Ripley
Addicted to Sheep: A Remarkable Ode to Farming
The Falling: Being a Teenage Girl Sucks
3 1/2 Minutes, 10 Bullets: Something Has Got to Change
A Bigger Splash: Trouble in Paradise
Krisha: A Deeply Personal Story About Addiction
I Know A Woman Like That: Review
‘Big Voice’ Director Varda Bar-Kar on Creativity, the Wisdom of Teenagers & Women in Docs
Gender at War: Women on the front-line in cinema
Parched: A Story of Friendship, Freedom and Feminism
Chevalier: An Absurdist Take on Modern Masculinity
As I Open My Eyes: Not Your Average Coming-of-Age Film
After Fire: Review
Prevenge: Motherhood & Murder Have Never Looked So Good
B
eginners Guide to Writer & Director Carol Morley
Art of Courage: Short
I Am Jane Doe: Compelling Story, Flawed Film

Bitch Flicks

What It Means to be a Man: Masculinity in Better Call Saul
Grace & Frankie: Sexuality for Seniors and Life After Marriage
How Catherine Breillat uses her own painful story to explore the female gaze in ‘Abuse of Weakness’
‘I want to slap his hideous, beautiful face’: Sexual awakenings and first crushes in ‘Bobs Burgers’
‘We’re not so different after all’ – Tradition, culture and falling in love in ‘Bride & Prejudice’
Stop the Fridging: The Invisible Feminism of Arrow
Dana Scully: Femininity, Otherness and the Ultimate X-File
Abortion in America: Dawn Porter’s ‘Trapped’

The F Word UK

Femininity, Sexuality & Technicolour Magic in Anna Biller’s The Love Witch
Law, Love and the Era of the Alt-Right – The Good Fight 
No Man’s Land Belongs to Women – Wonder Woman Review
The Handmaid’s Tale: A Terrifyingly Tangible Future

Vague Visages

Why We Make Films: On Kirsten Johnson’s Cameraperson
Spectatorship & the Camera in Sophie Hyde’s 52 Tuesdays 

Feministing

Why Do You Want To Hit Me?
Dove’s Latest Campaign: Beauty is Now A Choice