In the beautiful desert landscape of Gujarat, India, director Leena Yadav introduces us to a world of friendship, suffering and heartbreak within a story of four women, trying their best to overcome their individual struggles.
Parched explores the ideas of tradition, culture and misogyny in the heart of rural India but with a compelling characters and strong friendships that feel universal to us all.
Read my full review of Yadav’s masterpiece at Film Inquiry.
Originally posted at Bitch Flicks as part of their Women in Science theme week!
Dana Scully (Gillian Anderson) is my ultimate icon. She’s intelligent, cool-headed, and super sassy. She also has the best job in the world which usually involves traipsing miserably after her alien-obsessed FBI partner Fox Mulder (David Duchovny) in a bid to prove the existence of extraterrestrials to the United States government. Yeah… and I thought my job sounded stressful…
Continue reading “Dana Scully: Femininity, Otherness and The Ultimate X-File”
Recently, there has been an increase in the ‘action woman’ – the women on the frontline of modern warfare. Sicario, Camp X-Ray, Lioness all tell a new story – a story where women are fighting for something bigger than before.
Films that feature women on the frontline tend to say a lot more about the state of warfare, how justifiable it is and critique the nature of war as a whole. This is part 1 of a 2 part series for Film Inquiry where I am looking into the portrayal of women in war zones.
Part One click here!
Part Two click here!
Continue reading “Gender at War: Women on the Frontline”
Okay, so this title may be slightly deceiving but I maintain there is some truth in it. Today, amidst writing out invoices, cleaning my flat and generally feeling a bit unenthusiastic about life – I decided to watch ‘RuPaul’s Drag Race’ for the first time. Continue reading “How RuPaul’s Drag Race Taught Me To Embrace Femininity (amongst other things)”
Cinema is obsessed with the idea of AI. The idea of a being which is almost human, but not quite, has been explored in films countless times. Maybe it’s a comment on how well the image of AI translates from script to screen, or maybe it’s to do with humanity’s obsession with playing God. There is a tendency to rely on philosophical questioning and doubts about the validity of the human experience. How are we different to machines? Continue reading “‘Ex Machina’: Do Fembots Dream of Electric Sheep”
Upstream Colour (2013) is Shane Carruth’s second feature film, produced almost ten years after his sci-fi cult hit Primer (2004). For anyone who has seen Primer, and either loved it or loathed it (it seems to be like Marmite in this way), Carruth repeats his one man show of producing, directing, shooting, lighting, composing and starring in with Upstream Colour.
Continue reading “The Intricate Lifestyle of Nature: Upstream Colour (Shane Carruth, 2013)”