Femphile

UncategorizedOctober 17, 2018

LFF 2018: Mandy

UncategorizedOctober 17, 2018October 17, 2018

LFF 2018: Unsettling

Features, UncategorizedSeptember 23, 2018September 23, 2018

Chloe Zhao’s The Rider: Authenticity & Identity

ReviewAugust 22, 2018

Thoughts on ‘Leave No Trace’ (Debra Granik, 2018)

ReviewJune 26, 2018

Comedy as Activism: Hannah Gadsby’s ‘Nanette’

FeaturesMarch 30, 2018March 30, 2018

Has #MeToo Gone Too Far?

FeaturesMarch 25, 2018

Annihilation: A New Era for Science Fiction?

Lists, round-upsMarch 4, 2018March 4, 2018

Femphile’s Alternative Academy Awards 2018

Features, ReviewJanuary 17, 2018

Three Billboards Outside Ebbing, Missouri: A Few Key Questions

UncategorizedJanuary 8, 2018

Black Mirror Season 4 Round-up

Back To Top